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Focus on identifying and learning the common note intervals between melodic notes and root notes played on the main down beats. Read on for more details Yes, learning music theory will help ultimately. The problem though is that music theory is primarily descriptive rather than prescriptive in function. Music theory is primarily used to describe and communicate what notes to play and the specific relationships between notes.

And yes, you can certainly learn chords and common chord progressions to play on your left hand.

But here we have a similar problem - how does one know which chord progressions go with what specific song at the time you want to improvise and play the song without relying on sheet music or pure memorization? How do you add chords to a melody that you are making up on the spot? Focus on identifying the note intervals between the melodic notes played on the main down beats and the root notes! You can play a large majority of songs by ear using the following process.

Jazz up with If you play the song in the key of C minimizing use of black keys , you can for most of the time just freeze your hand into a three finger claw and roll the notes up from the root notes to play the chords with little or no thought. Play lots of songs off fake books that show only the melodic notes and the root notes identified by the letters that specify the chords. As you play each song, play only the melodic and the root notes to help you quickly identify the number of intervals between the melodic notes played on the main down beats and the root notes.

By doing this, you will quickly figure out after playing just four or five songs the common melody-root note intervals used to play certain types of songs and to play in various times and places within a song. Once you figure out the patterns, you can read up on music theory to place the right words to describe and communicate to others what notes you are playing on the left hand, and to explore other options and ways to add left hand harmony. Because the root notes or chords that can be used to play most melodies are chords I, IV, and V, you can use the following simplified scheme to apply this general rule:.

And that is it! Of course, there are many exceptions, but you will be amazed how many songs you can play using this simple rule plus slight variations by simply mirroring whatever notes you are playing on the right hand! Using this method, you can play songs by ear, or make and improvise your own melodies, and with the focus purely on note intervals not specific notes , you can play them all in any key. When I figured out this simple scheme last summer, I played four or five traditional Christmas carols and playing them all in the key of C or C minor and was suddenly able to see and learn when to use specific melody-bass note intervals at different times and places within a song.

By clicking "Post Your Answer", you acknowledge that you have read our updated terms of service , privacy policy and cookie policy , and that your continued use of the website is subject to these policies. Home Questions Tags Users Unanswered. How to know what notes will go together while improvising?

Ill Catch You - B-flat Instruments

This is 3 questions in one, so it might take a slightly involved answer, or some good links. How can you learn which keys to hit to make the notes you hear in your head? I know what I want to play when I'm improvising, I can hear it in my head, but I don't know which keys correspond to those notes.

How can you learn which chords will sound good where? There are so many types of chords, how can you know when to play a certain one? How can you learn to know when accidentals notes outside the scale will sound good? Sorry for long question! Aerovistae 3 12 You need practice to develop your ear. There are no hard and fast rules that say "you cannot play this note here.

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You say you ask 3 questions here, but all 3 are really related. It all comes down to knowing the basics of the chord progressions and playing around that. Marc Sabatella has a chord-scale table for jazz improvisation: Indeed there are very precise rules which tell you which notes will probably sound good and if you want to be a superior musician you you will to learn all the rules at some point. Which art forms don't require dedication, study and hard work? Learning improvisation is a long trip.

Most people start with one of two ways: Try until you think it's good. Learn what tones fits the chords in the chart. To help you do that you can: The melody of a song is a good starting point for improvising, you can start by playing variations. Either with a play along recording, playing yourself, listening to known recordings. You must really have the chord progression everywhere in your brain. Watch also closely on which chords these licks work. If you want to be able to play by the written chords, you can: Just as you can hear a melody by just reading the notes on a staff, you can learn to hear chords in your head by reading them.

Play lots of chords, and concentrate on recognizing chord progressions. To do that you need to be able to play chords, but I'd say you need that anyway. You have to know your scales by name. You need to know what scale is associated with what chord. You need to know the key signatures of scales. Luckily, different chords can be associated with one scale.

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Learn that and next time you see the sequence Gm7, C7, Fmaj7 you'll know you can play F major. There several reasons for other notes than that of F major being played in a song in F major: The current chord is not one of F major.

Even if a song is in F, the chords do not need to be all based on this scale. It could sound weird to play natural F, C or G in that bar not that it's impossible, but still. In short, accidentals may be associated with the current chord, rather than the main tonality. The formula for Hertz goes as follows.

E to C has an actual ratio of about 1. At that point there are two many waves between the crossovers for the ear to not hear it. Here is a really good site describing it in more detail. Standard Progressions If your question isn't made in interest i.

Partitions gratuites. Real Book - Volume 1, 2, 3(C, Eb, Bb)

This is intended if you for some reason or another needed an algorithm to determine music chord quality. What you can do is look at popular songs chord progressions. A great site that looked at a few thousand songs and compared their progressions is http: Or if you are good at programming you could probably pretty easily make a program that could store the chord progressions of songs you give it until it can come up with a numerical value for each chords likelihood.

Genetic Algorithms This is if you are really determined. It is unlikely that we will be ever to fully understand what makes good music good. However what you can do is use a genetic algorithm to make songs and thus determine what makes good songs good. Given a few hundred generations it would start having good sounding music. Studying theory and learning your scales will help a lot but you also need to practice playing by ear. Start by just trying to pick out the melodies of some of your favorite songs.

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